"Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.”
Cartier Bresson produced, as well as other photographers, a structure from image sequences, that is, bringing together several instances of the same scene, and this is linked to certain “alternative tradition” in the works of great photographers. All of them, at sometime in their life, have released their sequences. There was also the case of Irving Penn, who, on the cover of his book about the career in photography, published a contact sheet of a session of fashion.
By recovering this tradition, which is not based on more traditional formula editing photo books, according to which images should always be displayed in whole or in facing pages, this innovation brings logic exposure. That’s what we do, register things in a sequence, not with photography, but with the activities in the classroom. Randália Amaro Pereira
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